RSS Feed

shure condenser microphone

Posted on Thursday, December 17, 2009 in Pro Audio

shure condenser microphone 2 shure condenser microphone
"I plan to buy a microphone. What do you recommend for me?" So what you are used to? If you plan to use your microphone back on stage for amplification is necessary to check out "dynamic cardioid" microphones like the Shure SM58 or Shure Beta 58A. These are two of the stage microphones available the most popular and effective, but there's more. Simply go to the music store and ask about "dynamic-cardioid" microphones. These microphones are designed specifically to work on stage. They have excellent sound, because little information from the speakers and are very hard (resistant to damage), and usually between $ 100 and $ 300. (The Shure SM58 is $ 100. Or less, and is excellent for work on stage.)

Most of the microphones I'm talking about can also be found on Ebay at reduced prices.

If you plan to use your microphone to recording only should you watch "condenser" microphones as the Rode NTG-2 or the AKG C 2000 B. These are but two popular but cheap microphones manufactured specifically for recording. This type of microphone is not good for stage work because their sensitivity makes a lot of feedback and noise as you move around. Condenser microphones usually cost more than most dynamic cardioid microphones, but you can buy very good for less than $ 300. Again, check Ebay.

If you are buying a condenser microphone for recording realize that require a source of power supply are not always found in amplifiers and recorders. Make sure you get one if necessary. A basic supply of dollars should not cost more than $ 20-40. Your mixer or recorder can have one built in. It would be labeled "phantom power.

Some dynamic cardioid microphones are good for recording and performance. Consult your dealer for a recommendation.

There is microphones available to add brighter treble sound. These works and the singers with deaf or "husky" voice. And there are microphones that dull the treble and bass. This is good for singers with very bright "tin" sound, rather than wealth or body. I suggest you Google the search phrases as "microphones to boost treble or microphones to cushion the treble and bass boost", etc

Here's a Tip: If you have a voice with a great amount of bass in it, work a little further from the microphone. Singing close to the microphone head added often under Boomy unnecessary. Also, if you have a great vibrato of fat are not too near the microphone head. Put some distance between you and the microphone. If you do not have great wealth or below their sound stand closer to the microphone head.

There are hundreds of buses available that fit these two categories. Ask your store clerk to recommend one. Unless you are a serious professional that you need not spend more than $ 300. in any microphone. (Condenser microphones can cost as much as $ 5000.) Microphones prices usually are not fixed, so check everything (including the Web) for the best prices. About the Author:

Al Koehn has spent over 30 years working with top professionals in all aspects of their careers; voice development, performance, recording, producing and managing. His powerful new FREE ebook called "SINGING IS SERIOUSLY SIMPLE: Important Tips, Tools and Techniques for All Singers" is now available for downloading.

Access the Ebook FREE here http://vocalvision.com/ad1.html

Article Source: ArticlesBase.com - Singing Tips And Tricks - Choosing The Right Microphone To Make Your Voice Sound Its Best

Shure Microphone - KSM 32 Studio Condenser with AVGIANT

Share and Enjoy:
  • Digg
  • del.icio.us
  • Facebook
  • Mixx
  • Google Bookmarks
  • LinkedIn
  • Live
  • MySpace
  • NewsVine
  • Reddit
  • StumbleUpon
  • Technorati
  • Yahoo! Buzz
  • Twitter

Be the first to comment.

Leave a Reply

Powered by Yahoo! Answers